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Un Cupidon qui sort de chez sa Belle
Back to top ↑Sources and parallels
- De la Feuille, Devises Et Emblemes 1697 [web]
, p/no. 49/6
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Parallel for the pictura (mirrored, more detailed) and for the mottoes (some not exactly or partly): Celerem habet ingressum amor, regressum tardum [83] (in: Otto Vaenius, Amorum emblemata (1608))
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A woman doing some needlework in:Post tristia dulcor. [38] (in: Jacob Cats, Sinne- en minnebeelden (1627))
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A woman doing some needlework in:Post tristia dulcor. [37] (in: Jacob Cats, Proteus (1618))
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Parallel for the pictura (mirrored, more detailed) and some mottoes are the same or similar:Celerem habet ingressum Amor, regressum tardum [47] (in: Otto Vaenius, Emblemata aliquot selectiora amatoria (1618))
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Same pictura, though mirrored, woman with a love letter (in stead of needlework) and woman added to the background;
only the Italian motto the same: Serus in amore exitus. [23] (in: anonymous, Emblemata amatoria (1690))
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Back to top ↑Iconclass
A crippled cupid leaving the house of a girl
- crippled
[31A415]
- sitting on an elevation - AA - female human figure
[31AA2352]
- taking leave
[33A2]
- lover (woman) alone (e.g. longing for the beloved)
[33C2162]
- front steps
[41A35]
- proverbs, sayings, etc. (with TEXT)
[86(AMORIS REGRESSUS TARDUS)]
- Swiftness, Speed; 'Agilité', 'Celerité', 'Velocité' (Ripa) (+ emblematical representation of concept)
[51M11(+4):33C218]
- Quality of Motion (+ emblematical representation of concept)
[51MM11(+4):33C239]
- (personifications and symbolic representations of) Love; 'Amore (secondo Seneca)' (Ripa) (+ emblematical representation of
concept)
[56F2(+4)]
- fettered Cupid, 'Amor Cruciatus'
[92D1611]
- specific aspects of Cupid
[92D17]
![[H O M E : Emblem Project Utrecht]](/static/images/rd-small.gif)
