Daniel de la Feuille, Devises et emblemes (1691)
Table of contents ↑Un Cupidon qui sort de chez sa Belle

Sources and parallels
- De la Feuille, Devises Et Emblemes 1697 [web]
, p/no. 49/6 -
Parallel for the pictura (mirrored, more detailed) and for the mottoes (some not exactly or partly): Celerem habet ingressum amor, regressum tardum [83]
(in: Otto Vaenius, Amorum emblemata (1608)
)
[Compare
]
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A woman doing some needlework in:Post tristia dulcor. [38]
(in: Jacob Cats, Sinne- en minnebeelden (1627)
)
[Compare
]
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A woman doing some needlework in:Post tristia dulcor. [37]
(in: Jacob Cats, Proteus (1618)
)
[Compare
]
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Parallel for the pictura (mirrored, more detailed) and some mottoes are the same or similar:Celerem habet ingressum Amor, regressum tardum [47]
(in: Otto Vaenius, Emblemata aliquot selectiora amatoria (1618)
)
[Compare
]
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Same pictura, though mirrored, woman with a love letter (in stead of needlework) and woman added to the background;
only the Italian motto the same: Serus in amore exitus. [23]
(in: anonymous, Emblemata amatoria (1690)
)
[Compare
]
References, across this site, to this page:
- Post tristia dulcor. [37]
(in: Jacob Cats, Proteus (1618)
)
- Post tristia dulcor. [38]
(in: Jacob Cats, Sinne- en minnebeelden (1627)
)
- Serus in amore exitus. [23]
(in: anonymous, Emblemata amatoria (1690)
)
- Celerem habet ingressum amor, regressum tardum [83]
(in: Otto Vaenius, Amorum emblemata (1608)
)
- Celerem habet ingressum Amor, regressum tardum [47]
(in: Otto Vaenius, Emblemata aliquot selectiora amatoria (1618)
)
